‘Moonglow’ Review: Isabel Sandoval Slumps With an Atmospheric but Soporific Filipino Noir

Ever since Ryusuke Hamaguchi’s luxuriantly lengthy “Drive My Car” waited until after a 40-minute prologue to announce itself on screen, the late title-card drop has become a mark of the sophisticated, cine-literate art film that works to its own schedule and rulebook. But Isabel Sandoval’s new film “Moonglow” may be going for a new record, […]