The Guardian | US Note

The Guardian | US

The Guardian is a well-established online news site that provides in-depth coverage of local, national, and international news events. Upon visiting the website, users are presented with a clean and easy-to-navigate interface, featuring the latest articles and breaking news stories prominently displayed on the homepage. The news articles provide detailed information about various topics such as politics, technology, culture, and more. The website also offers commentary sections where readers can engage in discussions and share their thoughts on various subjects. Additionally, the site features video content, podcasts, and a section dedicated to weather forecasts. Overall, The Guardian's website provides an comprehensive source of news coverage across multiple platforms.

Thread Of Notes

An empathetic biography of the the singer recasts her tumultuous later career as a triumph of self-expression Since Whitney Houston’s death in 2012, a flurry of books and documentaries have appeared, most of them presenting her life as a cautionary tale. In this new biography, Emily Lordi, a professor of English at Vanderbilt University, refuses to reduce Houston’s story to another “good girl gone bad” narrative. Instead she presents a pluralistic take on her life in which Houston’s queerness, drug use and eccentricities are not dismissed as aberrations (as they were in her lifetime) but rather seen in the wider context of her unique talent and the pressures placed on her to embody black excellence. Lordi describes the unsteady building blocks of Houston’s family (her mother Cissy’s band The Sweet Inspirations were in-demand session musicians who worked with Elvis, as well as on Van Morrison’s Brown Eyed Girl and Dusty Springfield’s Son of a Preacher Man). When Cissy was still a child, Houston’s grandmother had a debilitating stroke following a miscarriage, eventually succumbing to a cerebral haemorrhage during a later pregnancy. The response to this trauma was to bury it. As Lordi writes: “Here was a lesson in suppressing your feelings and getting on with it.” But in a book where the act of singing through the pain is invoked multiple times, it is striking that reports Houston was molested as a child (a pivotal part of Kevin Macdonald’s 2018 documentary, which drew a line between that and her addictions) are not discussed.
On 14 January this year, army and navy squads faced an unprecedented challenge: one bomb on a Plymouth building site, another floating on a dredger in Exmouth. That afternoon, the clock started ticking Everyone at Exmouth Marina knew there was an unexploded German bomb in the water. Old hands at the dock had been saying so since the end of the second world war. But the marina had been dredged and re-dredged and nothing had ever come up. It had started to sound like an old wives’ tale. The marina is a busy stretch of water: a commercial port until the late 1990s that had since been converted into a home to private yachts. A bomb, you’d think, would have a hard time staying hidden. But in the middle of the afternoon on Wednesday 14 January 2026, 81 years after the end of the second world war, Steve Hockings-Thompson, the manager of Exmouth Marina, got a call from the crew of a dredging vessel telling him he’d better come out to the boat. “I thought: ‘Oh crikey. We’ve got a bit of an issue here,’” Hockings-Thompson told me recently. He went out to the dredger, a squat barge that hauls silt and other debris from the marina floor on to a flat deck that resembles a steel sieve. Sitting on the deck was a huge hunk of metal, caked in mud and stones. As Hockings-Thompson got closer and saw its distinctive conical shape, he knew it was a bomb – a big one. The dredger was loaded with 20,000 litres of diesel fuel, so if the bomb detonated, it would be disastrous. He called the police, who quickly came to the scene. “And then,” he said, “all hell broke loose.”