The Guardian | international Note

The Guardian | international

TheGuardian.com/international is a section of the Guardian news site that focuses on international news and events. It provides coverage on a wide range of topics from different corners of the globe, including politics, business, culture, and more.

Thread Of Notes

The sponsorship deal between Cwmbran Celtic and the Welsh indie-rockers is part of a trend to monetise ‘adjacent audiences’ as much as it is a nostalgia trip As someone born on the cusp of the gen X-millennial divide, I am the perfect target for today’s 90s nostalgia. I played my modest, teenage part in the Battle of Britpop (verbal skirmisher, Blur division); I fervently sang – and, God help me, believed – that Things Can Only Get Better. Super Furry Animals were a band I knew only distantly, via the transgressive thrill of that song they had with all the swearing in. And yet the news they’ll be shirt sponsor for a Welsh football club this season has managed to whisk me straight back to a time when things seemed simpler, kinder and more hopeful. Nearly three decades have passed since Super Furry Animals last had their logo on a football kit. Back in 1999, their frontman Gruff Rhys and bassist Guto Pryce, both Cardiff City fans, persuaded their Bangor-born bandmates to lay down their north Wales allegiances for the duration of the Bluebirds’ Welsh Cup run – which was, incidentally, all they could afford. The cup shirts cost them £2,000 and were, according to Rhys, knock-offs made for ice hockey. This year’s beneficiaries are a more modest outfit: Cwmbran Celtic, just relegated from Wales’s second tier. Cwmbran is the town where the band send their stage props for repair, and given the props in question are giant inflatable bears, you wonder whether they could get one installed in goal.
Director Eric Goode's new documentary, "Monsters of God," delves into the dark underworld of the reptile trade. Following the success of "Tiger King," this series explores the illegal animal market, drawing inspiration from Bryan Christy's book "The Lizard King." The documentary centers on two key figures who fueled the illegal reptile trade: Hank Molt and Tommy Crutchfield. Like their "Tiger King" predecessors, Molt and Crutchfield share a bitter rivalry marked by accusations and animosity. The series reveals their personal histories, including Molt's past as a mayonnaise salesman and Crutchfield's teenage work at a snake-themed establishment. "Monsters of God" uncovers not only their ongoing feud but also other conflicts within the illicit reptilian market. During the late 1960s, a "don't ask, don't tell" policy often prevailed in wildlife trading, with zoos overlooking the origins of their animals. The documentary highlights the severe consequences for endangered species, with Molt once burying live animals to evade police. Crutchfield, after Molt's arrest, became a prominent dealer, supplying cobras for movies and selling rare white albino alligators for substantial sums. While the initial episodes are gripping, the series later becomes less focused, incorporating tangential stories that dilute its core narrative. Despite its narrative looseness, "Monsters of God" showcases Goode's interest in conservation. The final episode addresses the plight of the ploughshare tortoise due to notorious dealer Anson Wong's smuggling operations. The documentary concludes with a hopeful note about nature's potential to heal.